CaFE Event Information - Art of the State 2023 (2024)

Art of the State, open to Pennsylvania artists and craftspeople, is an annual juried exhibition held at The State Museum of Pennsylvania. With an established tradition of exhibiting highly creative art chosen by a distinguished panel of jurors, Art of the State provides an opportunity for both established and emerging Pennsylvania artists to exhibit their art and receive statewide recognition.  

Presented by The State Museum of Pennsylvania in cooperation with the Pennsylvania Heritage Foundation, the 56th Art of the State exhibition will offer cash awards for selected entries in the categories of Painting, Work on Paper, Photography & Digital Media, Sculpture and Craft.  

The fee is $30 for up to 4 works of art.  

FINAL DATE TO SUBMIT ENTRIES: Friday, May 5, 2023, 11:59 PM

Entry assistance will be available by e-mail and phone from 8:30 AM until 4:00 PM Monday through Friday. 

The exhibition will be open from Sunday, September 10, 2023 until Sunday, January 7, 2024.

CATEGORIES  

Craft: Functional or decorative three-dimensional craft in any synthetic or natural media.  

NOTE: Artists can only submit one image for each work. Artists with three-dimensional work may be asked to submit additional views. 

Painting: Two-dimensional painting media including oil, acrylic, watercolor, encaustic, fresco, ink & wash, pastel, gouache and spray paint, painted on a two-dimensional surface.   

Photography & Digital Media: Traditional and digital photographs, photographs printed on metal, and time-based media.  A.I.-generated art will not be accepted to the 2023 exhibition. NOTE: Artists are required to provide a media player, speakers, and screen for exhibition display purposes for digital works.  Media should be programmed to play on a continuous loop. The media player should be equipped to start automatically, and to start and play when and if power is lost and returns.   

Sculpture: Three-dimensional carved, molded, applied or constructed techniques using wood, glass, plaster, metal, stone, plastics, clay, soft or hard materials, found objects or natural materials. May include high and low bas relief, installations, kinetic sculpture and assemblage.  

NOTE: Artists can only submit one image for each work. Artists with three-dimensional work may be asked to submit additional views. 

Work on Paper: Two-dimensional works specifically created on paper, includes drawing, collage, etching, lithograph, woodblock, screen print, serigraph, calligraphy, computer art on paper, graphic art, digital art print, digital collage, monotype, cut paper and pastel.   

AWARDS  

A First Place Award of $500, a Second Place Award of $300 and a Third Place Award of $200 will be distributed in each of five categories.  

AdditionalAwards

William D. Davis Memorial Award for Drawing: $250  

The State Museum Art Docents’ Choice Award: $300 

TIMELINE  

Friday, January 13, 2023: Entry process open 

Friday, May 5: Last day for entry (no late entries accepted) 

Week of June 19: E-mail notifications of juror results 

July 5: Deadline to confirm information

July 15 - 23:  Art delivery 

September 10: Exhibition opening 

January 7, 2024: Exhibition closing 

January 20-28, 2024: Art Retrieval

JURORS 

Selection Jurors will review all art submitted. Those with the highest ratings will be featured in the exhibition. Selection jurors include:   

Kyle Hackett

Artist and Assistant Professor of Painting & Drawing

James Madison University

www.kylehackettstudio.com/about-1.html

Kyle Hackett (b. Still Pond, MD) is an Artist and Assistant Professor of Painting and Drawing at James Madison University. Hackett earned his MFA from the LeRoy E. Hoffberger School of Painting at Maryland Institute College of Art and his BFA in Fine Arts, as a McNair Scholar from the University of Delaware. His paintings explore issues of race, class, and social standing through approaches to self-representation and the constructed image. Hackett has exhibited nationally and internationally receiving numerous honors and awards. His work has been featured in publications including New American Paintings, Aesthetica Magazine, Washington Post, and The Huffington Post. Hackett’s work is represented by Goya Contemporary Gallery (Baltimore, MD) and notably collected by Ethan Cohen Gallery (New York).

Deborah Pinter

Artist and Adjunct Professor

Cleveland Institute of Art

www.deborahpinter.com/

Deborah Pinter has been exhibiting her work primarily throughout Northeast Ohio since graduating from New York University/International Center of Photography joint graduate program with a Masters of Art in Photography (1991). She earned her Bachelor of Fine Arts in Photography from the Cleveland Institute of Art (1988).

Her work is included in numerous private and public collections including The Cleveland Museum of Art, METROHealth, Progressive Art Collection, The Cleveland State University Art Collection and the Grafikwerkstatt Collection, Dresden. Exhibition venues include solo exhibitions at The Cleveland Botanical Gardens, and the Massillon Museum and group exhibitions at Zanesville Museum of Art and The Alte Feuerwache Loschwitz, Dresden, Germany. She also self-published a book in 2012, Luminous Florals that was included in the DIY: Photographers and Books Exhibition, curated by Barbara Tannenbaum at the Cleveland Museum of Art.

She has served as a trustee on a number of non-profit art institution committees and boards, including SPACES Gallery, Cleveland, OH and the Cleveland Museum of Art’s Friends of Photography board where she served as Vice President for three years. She is currently serving as President of the Alumni Council at The Cleveland Institute of Art where she also teaches in the Foundations and Photography + Video Departments.

Jennifer Zwilling

Curator and Director of Artistic Programs

The Clay Studio

www.theclaystudio.org/staff-and-board/jennifer-zwilling

Jennifer Zwilling is the Curator and Director of Artistic Programs. She joined The Clay Studio in 2015 and administers the Resident Artist Program, Exhibitions, The Collection, and the Guest Artist in Residence Program. She earned her BA in History from Ursinus College and MA in Art History from Temple University, Tyler School of Art. Previously, she was Assistant Curator of American Decorative Arts and Contemporary Craft at the Philadelphia Museum of Art. Jennifer developed and taught History of Modern Craft at Tyler School of Art for ten years, and has taught and lectured around the world. She represents TCS as a founding Board Member of CraftNOW Philadelphia.


An awards juror will select recipients in each of the categories. 

Jeremiah William McCarthy

Chief Curator

Westmoreland Museum of American Art

https://thewestmoreland.org/press-releases/jeremiah-william-mccarthy-appointed-curator-of-american-art/

Jeremiah William McCarthy is presently chief curator at the Westmoreland Museum of American Art. Previously, he was consulting curator for The Pocantico Center of the Rockefeller Brothers Fund, where he co-organizedInspired Encounters: Women Artists and the Legacies of Modern Art(2022–23), the inaugural exhibition of the David Rockefeller Creative Arts Center in Tarrytown, NY.Prior to his work for The Fund, he served as curator at the National Academy of Design and associate curator at the American Federation of Arts.Major exhibitions he has organized or co-organized includeFor America: Paintings from the National Academy of Design(2019–22), which travelled to eight museums in all five regions of the United States, andWomen Artists in Paris, 1850–1900(2017–18; with Laurence Madeline and Suzanne Ramljak), which was awarded “Best Painting Show of 2018” byThe Boston Globe.He also edited and contributed to both accompanying scholarly catalogues, published by Yale University Press. Previously, he has worked in the curatorial and education departments of The Metropolitan Museum of Art and the Solomon R. Guggenheim Museum, and he was an inaugural teaching fellow at The Frick Collection, New York.

ABOUT US    

The State Museum of Pennsylvania is adjacent to Pennsylvania’s State Capitol building in Harrisburg. It offers exhibits and vast collections interpreting the state’s heritage, art, and natural history. The State Museum is administered by the Pennsylvania Historical and Museum Commission (PHMC), the Commonwealth's official history agency.   

The Pennsylvania Heritage Foundation (PHF) supports the work of the Pennsylvania Historical and Museum Commission who collects, preserves researches, and interprets the treasures of Pennsylvania. Through private contributions, PHF helps PHMC protect and provide access to PHMC's 23 historic sites and museums, approximately 5 million objects, and 237 million archival items. Pennsylvania’s valued heritage is sustained through PHF.  

CONTACT   

Amy S. Hammond, Curator | Art of the State Project Director  
The State Museum of Pennsylvania   
300 North Street, Harrisburg, PA 17120   
Phone: 717-772-2840 Email: amhammond@pa.gov   

Application Requirements

Application Requirements: Artists must submit an artist statement and resume.

Eligibility Criteria

COMPETITION RULES  

Eligibility   

1. Artists must be current residents of Pennsylvania and 18+ years of age.  

a. Work must have been created within the past (3) years (January 2020- May 2023).  

b. Size is limited to 12 feet x 12 feet, 150 lbs. in all categories. 

c. The work must be of the Participant’s own original concept and execution. The work must be legally compliant with intellectual property law. If, for instance, the work contains copyrighted material, the work must be a fair use of the copyrighted material. If the work contains the copyrighted materials of others, the Participant must secure all permission prior to submission and furnish them upon request.   

d. All work must be freestanding and/or ready to hang. The reverse side of two-dimensional paintings, photographs and works on paper must have a wire or D-rings for hanging.   

e. All entry applications must be uploaded to Competition website.  

f. All entry applications must include an insurance value of each work submitted. If the work is for sale, the artist may submit a purchase price for each work. No insurance value may exceed the sale price.   

2. The State Museum reserves the right to reject any work from the competition or withdraw any award distinction.   

3. No substitutions are permitted.   

4. A panel of three selection jurors representing various media will assign numeric scores through the online entry site. The art with the highest scores will be included in the exhibition. An awards juror will review the work and make the award selections.   

5. All artists will be notified by e-mail of the judging results. Details for delivering or shipping of those works selected for the exhibit at The State Museum will be included in the notice. The artist may be responsible for installation of art if special conditions exist. The State Museum encourages the sale of exhibited work and does not take any commission. The museum collects information from interested buyers and connects the potential buyer to the artist.  Payment must be arranged between artist and buyer.  Art will not be available for pick up until the exhibition closes.  

6. Awards are selected by the Awards Juror after accepted art has been installed at The State Museum. Award recipients will be contacted prior to the awards ceremony and are asked to refrain from making their own announcements prior to the reception.  

7. Awards:  A first prize of $500, second prize of $300 and a third prize of $200 will be awarded in each of the five categories (Painting, Sculpture, Craft, Works on Paper and Photography/Digital Media). The William D. Davis Memorial Award for Drawing in the amount of $250 and the Art Docents’ Choice Award of $300 may be presented. The State Museum may select a Purchase Award by choosing a work for its permanent collection.  

8. Refunds will not be issued after the close of the submission process. 

CaFE Event Information - Art of the State 2023 (2024)

FAQs

What is a call for entry? ›

Call for Entry is used here to include any request for artists to submit information to compete for art exhibitions, contests, or commissions (e.g. Request for Qualifications or Request for Proposals).

What is cafe art? ›

Café Art is a social enterprise which welcomes anyone who has been homeless, or is currently homeless, with a goal of helping them exhibit and hopefully earn money from their art.

How to write an artist statement? ›

Artist Statement Guidelines
  1. Why you have created the work and its history.
  2. Your overall vision.
  3. What you expect from your audience and how they will react.
  4. How your current work relates to your previous work.
  5. Where your work fits in with current contemporary art.
  6. How your work fits in with the history of art practice.

What is an art guide? ›

Art Guide is the country's most referenced resource for art events locally, nationally and now with the launch of the new site internationally. Members can post a variety of art activities and increase their internet ranking with on-site advertising, feature listings or through using our popular social media.

What are the three steps to start a call? ›

3 Steps to a Successful Phone Call
  1. Greet and Actively Listen. Every phone call should commence with a simple, straightforward greeting. ...
  2. Communicate Clearly. ...
  3. Keep Your Tone. ...
  4. Bonus Tip: Know When to Refer.
Aug 8, 2019

What does "cafe" stand for? ›

NHTSA's Corporate Average Fuel Economy (CAFE) standards regulate how far our vehicles must travel on a gallon of fuel.

Can you sell night cafe art? ›

NightCafe doesn't offer a way to sell your creations to other users, however if you're selling your creation as an NFT or a print on another platform (E.g. OpenSea, Etsy, RedBubble), you can add a link to where other users can buy it.

What is ideas café? ›

An advertising café which lives, breathes, rejuvenates & enriches IDEAS. IDEACAFE AGENCY assists in creating ideas that change what people think , feel and do with brands making them distinctive and helping them grow.

What to avoid in an artist statement? ›

Don't use unnecessary jargon. Avoid words, phrases, and ideas that are so specific to your discipline that a general arts reader might not understand them. If there's a term or phrase that's essential to include, just explain it briefly. This can be accomplished in as little as a phrase within the sentence.

What questions to answer in an artist statement? ›

Writing an Artist's Statement? Start with These Questions
  • What does your work look like? ...
  • What are its physical properties? ...
  • How does it exist in space? ...
  • Where do we see it? ...
  • Is your work temporal? ...
  • How are you making this work? ...
  • Why do you make this work? ...
  • How do viewers experience your work?
Nov 12, 2021

Do you introduce yourself in an artist statement? ›

Paragraph 1: Introduce yourself as an artist and some general ideas about your art and your process, materials, methods, tools, etc. What is the audience about to see?

What are the 7 areas of art? ›

The seven elements of art are line, shape, space, value, form, texture, and color.

What is a person who sees art called? ›

(iːsθiːt , es- ) Word forms: plural aesthetes regional note: in AM, also use esthete. countable noun. An aesthete is someone who loves and appreciates works of art and beautiful things.

What is art in a simple way? ›

Art is the expression of ideas and emotions through a physical medium, like painting, sculpture, film, dance, writing, photography, or theatre.

How to write a call for submissions? ›

Here's what we recommend including in any call for submissions communication:
  1. Details about your organization and why you're calling for submissions. ...
  2. Clear guidelines their submission should adhere to. ...
  3. Who to contact with questions — and how to reach them. ...
  4. A direct link to your submission portal.
Mar 24, 2023

What is the meaning of call for artist? ›

A Call for Artists is an opportunity notice that gives artists the information they need to know in order to apply to be considered for the project. Issuing a Call for Artists is a standard practice of the public art field.

What is an open call for artists? ›

Open calls are often used by organisations to find artists to work with. An organisation produces an open brief and artists apply in competition with each other.

What is a placed call? ›

Past tense for to make a phone call to one's home or place of work.

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